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Getting started

 

As Cognition Art grows and develops we will be adding more content,

in addition to our getting started section, we also have recordings from

industry experts offering first hand advice on how they like to be

approached and what you can do to maximise your chances of success.

 

Please see- Expert Advice

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Where to begin-

 

For artists looking to connect with the scientific community, then the good news is that there are many organisations out there who can offer support.

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This can include networks such as Beltane, Creative Carbon Scotland, FUSION and IOP Scotland. Universities can also be approached directly and many departments have public engagement officers who can help you connect with researchers

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There are various events such as Edinburgh Science Festival and Glasgow Science Festival who welcome applications from creatives who are finding new ways to express data and science content

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And funding can be sought from various sources, including: IOP Scotland, The Elephant Trust and Creative Scotland

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There are also various organisations and individuals keen to help creatives with technical support. For example Tinderbox  offer support around making and incorporating electronics

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Please see Supporting Organisations 

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Reaching out can be a very large first step and there are various things you can do to help you feel prepared and to ensure you have the best chance of getting a positive response

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Preparation

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It is worth doing your research before hand.

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Take a look at our Supporting Organisations, Events, Funding and Venues.

Make a note of dates, themes, get familiar with previous exhibits and

check what the criteria is for applications.

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Consider:

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- Event organisers. What do they say the want, do they want proposals of fully developed exhibits, complete with confirmation of venue and funding or do they just require a proposal for a piece of art to be installed at set venue and date?

- Time frames. Including event submission dates, availability of venues and funding deadlines

- Who do you need to involve? This might include researchers, academics (especially important if you would like access to science funding), and could include other individuals with technical skills. We will have a list of individuals within our Profiles section that have technical skills and are keen to collaborate. We also list various Supporting Organisations who can help with technical aspects

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Considering these points will give you a clear picture of what might be involved, give you confidence and if you are reaching out to organisations, or even individuals, then they are far more likely to respond if you have an outcome in mind. This outcome can, and most probably will, change as the conversation develops, but it is good to demonstrate your understanding and have an idea that people can be excited by.

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Start conversations early. Bringing together all the elements of an exhibition takes time, people can be slow to respond and getting funding can be a lengthy process. For example 9 months to a year is typical for organising an exhibit.

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Submitting applications

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A top tip for making submissions is to start a conversation with

the organisation well in advance of any deadline. Many organisations

receive an overwhelming response to call outs. If you contact them

in advance then you can:

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- Check that your proposal fits their needs

- Make useful contacts

- Make them aware of yourself and your application, and hopefully

   they will keep an eye out for your proposal.

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Too much?

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Organising an event can be daunting, especially if that involves taking your creative practice in a new direction and bringing together all the elements involved.

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Fear not! Some events organisers will offer open calls for art work to be submitted, without the need to organise a whole exhibit around it. There are also events like Maker Faires, these can be a great opportunity to test the water and get a feel for exhibiting within this sort of event.

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If you would like to be part of a larger collective then please see Organisations for a list of collectives that showcase the work of their members. 

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Any Questions?

 

We appreciate there's a lot to take on and are happy to answer questions, or perhaps you are experienced in producing data driven exhibits and would like to share experience from your own journey? 

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You can get in touch via our Contact Page

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Joan Smith

 

Joan Smith is an artist based in Edinburgh. Her work is inspired by archives and collections, medicine, anatomy, anthropology, archaeology and the natural world, amongst other things! She particularly enjoys working collaboratively with other artists and scientists: collaboration brings with it sometimes unexpected conversations, projects and opportunities. Joan is a member of the
art/science group, Fusion, the anthropology group, Bones Collective, the Society of Scottish Artists and Visual Arts Scotland.

 

Recent projects include Skull Colour Chart (SSA 2021) an evolving artwork where the focus is on rethinking the University of Edinburgh skull collection through analysis of skull colours; Field Notes
(Surgeons Hall Museum, Edinburgh, 2018 -19), a joint exhibition with fellow artist Susie Wilson that explored the work of the Scottish Women’s Hospitals in the first World War and she was part of
TRACES (2015 – 2018), a Europe-wide Horizon 2020 funded multi-disciplinary research project that addressed contentious collections across Europe. In the last year Joan has co-authored, with scientist Janet Philp, two book chapters on the use of textiles in understanding the anatomy of the human body, one in Teaching, Research, Innovation and Public Engagement (Springer 2022) and another in Biomedical Visualisation (Springer 2023). Joan’s installation about how plastic pollution affects the sea and the creatures that live in it, Sea Amulets, featured in the 2023 Hidden Door Festival.


Joan is currently working with Janet Philp on I’ve Got Your Back, a public engagement project focusing on understanding back health through working with needle felt. The resulting installation will be shown in the Anatomical Museum, University of Edinburgh, from October 2023.

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Joan can be contacted via our Contact us page


Instagram @joansmithartist


www.fusionartsci.co.uk/

Tom Pratt

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Tom Pratt is a lecturer in Biomedical Sciences at the University of Edinburgh where he teaches principles of developmental biology on a number of courses. His main research interest is investigating how changes to genetic sequences affect the development of the brain.

 

He has been involved in the FUSION group which aims to connect people from different disciplines to create and exhibit their works for a number of years and has enjoyed collaborating with artists and scientists, being inspired, and making objects in the process 

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Thom can be contacted via our Contact us page

 

https://www.fusionartsci.co.uk/

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David Price

 

David Price is Professor of Developmental Neurobiology at Edinburgh University. Which means he studies how brains develop and how they might become diverse or disordered. That's what most of his work is on, but he's also interested in the history of neuroscience - in particular, the era of the phrenologists and their crazy ideas - and runs an Our Minds program for projects in any discipline on how we think. He has been a member of the Art-Science Fusion group for many years and has exhibited work with the group. He has organised and spoken at many public events. He chairs the Africa Working Group at the Royal Society of Edinburgh, which aims to enhance collaborations between Scotland and the African continent. 

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David can be contacted via our Contact us page

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www.fusionartsci.co.uk/

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